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Film Review

Film/TV

Film Review: ‘The Autopsy of Jane Doe’ cuts beneath the surface of supernatural horror

Film/TV

Film Review: ‘A Cure For Wellness’ and its rotting cyanotype landscape excels in creepiness

Film/TV

Film Review: Horror collection ‘XX’ shakes up the whites-only, boys-only filmmaking club

SXSW 2017

SXSW Film: Buckle up, because Edgar Wright’s ‘Baby Driver’ is the best musical in years

Film/TVSXSW 2017

SXSW Film: ‘The Honor Farm’ positions prom-night horror (and comedy) from a female perspective

Film/TVSXSW 2017

SXSW Film: Joe Swanberg’s ‘Win It All’ is a Netflix gamble that should pay off

Film/TV

Film Review: It took two tries, but ‘John Wick’ finally lives up to the hype

Film/TV

Film Review: Generational manifesto and social satire ‘Get Out’ is the best horror movie in years

Film/TV

Film Review: ‘Logan’ slices, dices, and gives closure to Hugh Jackman’s ace run as Wolverine

Film/TVSXSW 2017

SXSW Film: Fueled by Charlize Theron and life in 1989, ‘Atomic Blonde’ packs a mighty wallop

Film/TVSXSW 2017

SXSW Film: Leandra Leal’s ‘Divine Divas’ doc is captivating, kaleidoscopic, and confessional

Film/TVSXSW 2017

SXSW Film: Righteously poignant ‘Stranger Fruit’ dissects racial tension and humanizes Michael Brown

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